One day courses in identifying and breaking the blocks to creativity. Based on the techniques of The Artist's Way.
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“You can only become truly accomplished at something you love. Don’t make money your goal. Instead, pursue the things you love doing, and do them so well that people can’t take their eyes off you.”
— Maya Angelou

A tricky thing creative partnerships. How I have longed to have a creative partner. Once and rather dangerously I yeared for a two inone job a creative partner and a partner in life. I call them tricky because looking back on my life I am aware that part of the yearing is to have someone else do all the hard work it is a desire to abdicate responsibility for what has to be done. Especially as a filmmaker wanting someone else to get the finance or organisation right for example. However when they work it is in the area where 'to heads better than one' especially creating proposals intuitive leaps of creativity to solutions and filling in the gaps where others lack strength. They also work well were boundaries are clear and one person isn't yearing to be something else or that there are any 'shadow artist' issues. (Shadow artists are people who are not artists but hang around people who are living by proxy instead of getting on with it).
When choosing a partner it is very important to choose with all ones intuition working well and to LISTEN to one's inner radar. Each time I've failed to do so I've become horribly unstuck. Also listening to a friend who enters many creative partnerships as part of her work I can instanteously pinpoint a partnership will not work for her. Interestingly money will usually be the factor which keeps her in the partnership even when years grind past and nothing has been produced from it. My instincts on this are so good franly I should be paid to do it !
Oh well someone recently came to me with a few business ideas and I'm meeting them for coffee it will be interesting to do the same for myself.
(blogged as part of the 12 Secrets of Highly Creative Women series)
This is the next chapter in 12 Secrets of Highly Creative Women. I have to say that the term 'guides' and 'muses' I find really off putting. The first because it reminds me of dare I say it a lot of new age bollocks and the latter is so highly gendered and any intelligent interrogation of the idea would be exploded by anyone with a modicum of feminist analyisis (Muses are female tend to hover a foot or so off the ground and appear to people like Burns while ploughing).

HOWEVER when I was starting out on my journey as a filmmaker I was incredibly shy, insecure and struggling so I took an an idea from a book by Deena Metzenger from a book of her's Writing for your Life, where she suggests that an artist choose another artist as their muse. And to write letters to your muse and wait for the replies by writing them yourself. So I decided to adopt Derek Jarman as he was a filmmaker who was definately on the margins of the industry but despite that had been incredibly productive. So I wrote to Derek in my journals - I asked him questions and I wrote the replies. Derek I remember was quite brisk precieved roadblocks were not tolerated. The jist of his advice was to 'create anyway'. So I'd really recommend finding a mentor muse who resonates with you. Frida kalo for an artist with health issues? Anne Redpath for a single parent painter?
(As an aside a wonderful artist friend of mine has asked me to document her work next week in London by super8 so I'm off to reaquaint myself with the format which Derek introduced me to and sychronistically her parents were at Uni with Derek at Kings ! The world is small and wonderful).

dates: Edinburgh Sat |March 28th 2009
Find new fun, creative, pleasureable ways of being, creating, and living
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Not really what I had in mind when I invited my parents over for dinner on sunday night. Sausage casserole with organic leaks and apple, organic potatoes followed by pear and apple crumble. The problem was that my dad tried to load onto my computer a new anti virus checker. Computers I think are rather like handbuilt dry stane dyke walls and a new virus checker is rather like removing a stone from near the bottom of the wall with simply disasterous results. Now the computer has gone to computer hospital and my dad is muttering about XP upgrades and I'm checking my emails at internet cafes.
I'm totally reliant on google for info like address, phone numbers of businesses, I'm now having to batch my information gathering and make lists of stuff that I want to do rather than drifting over to the computer when I feel like it and doing a few emails. On the downside I feel a bit adrift a bit marooned and cut off on the upside I'm more focussed, have knitted a lot more (baby blanket nearly finished !) I've done a bit more phoning than emailing, and I'm much much more focused and therefore more productive. An interesting experiment!
A core tool of the Artists Way is a week of 'Reading Deprivation' where people are urged to take a week off from reading and other inwashes of media. The results are always surprising. The first one being that people reported masses of time for actually being creatie and also finding new hobbies, reconnecting with people and their own spirit instead of drowning it out with a mass of'information' 'entertainment' 'trivia'.
Perhaps I need to schedule internet retreats?

Actually the crocuses are out on Leith Links and its quite balmy. I left the house today for brunch and reading of sunday papers. Delighted to meet friend and hubbie on their way to a birthday lunch on Leith Walk. Time for handing out the washing and other spring like delights !

Eco graffiti instructions to make a moss 'paint' here.

Bloggy silence due to being in that inbetween space between projects and trips. Off to London next week so I've got to sort out things before then but I've got to do lists coming out of my head and translating that into action is the problem ! I've also taken up swimming regularly and despite only ploughing up and down for 15 mins I am quite knackered afterwards. I keep on reminding myself that this is an investment in my future energy levels. Sometimes we have to do stuff which does not appear to pay off immediately. I'm reminding myself of this. Meanwhile I'm researching Super8 filmmaking which is fun for a project to help out a friend. And fantastic fun was had by my coaching group on monday making collages. I'm going to put mine up in my bedroom to contemplate. Christine Kane has a good free ebook on making collages or vision boards.

Today inspired by Christine Kane's post 101 ways to be your own happy valentine and my own ongoing attempts to establish Love Yourself Day. So on the way back from the Post Office I nipped into the Chinese Supermarket on Leith Walk and bought two rice bowls to use for pudding and then to a flowershop to buy two polyathus plants to remind me that spring will surely come. Also chose to spend money in local indpendent shops inspired by Purple Love Week (see links at side)

There are two kinds of creative saboteurs one internal and one external.
The external ones are easiest to deal with. Julia Cameron writes about ‘crazymakers’. ‘Crazymakers’ are people who make you crazy, the kind that get you talking to other people ‘Then she did THIS, and then they… can you believe it?’ They can suck up lots and lots of energy and time. They are fabulous for blocked people because you can just blame the stalled novel on your mother or your crazy friend Jane instead of actually working on novel and dealing with the internal saboteurs.
The other saboteur is someone who is normally very supportive and helpful but suddenly turns. I would warn my Artist Way students to keep very quiet about their creative recovery but they would often ignore my advice with interesting results. One former student reported that she had had a very unpleasant meal with a friend who laid into her big time when she started to talk about the potential creative projects and fun she was having. Sadly some of our relationships are based around unspoken assumptions – in this case ‘I’m the together person who will be kind (and pitying) to you the hopeless CFS/ME sufferer’. With the student recovering her creative side and instead becoming a person of agency rather than of pity the dynamics of the relationship became wildly apparent.
Similarly then blocked people band together and bond over their blockedness when one person breaks away and actually starts doing something it sets up a terror in the blocked that they will be left alone. It also is a powerful message to the blocked person that they are often clutching their blocks unnecessarily to their chests and they don’t want to be reminded of this.
What to do? Set boundaries, ask yourself why you are involved with this person? Creative saboteurs beautifully use up time and energy so you can't create. Why do you want to enable this block? If setting boundaries is very difficult try reading around issues of co-dependency.
Internal saboteurs are subtler. A belief that you shouldn’t be better than your siblings, shouldn’t think of being successful, can’t draw a straight line, not a creative bone in my body. They pop up often on the edge of success so we move away from what we really want into the more familiar territory of failure. Thinking about where these messages and patterns come from is important work. Take the knowledge and use it. When you see yourself doing the pattern again acknowledge it and change course. Our past does not have to equal our future. The important thing is that they will always be there to some extent even if very faintly. But that does not mean you have to allow them to limit you.
Do do start getting rid of all the crazymakers out of your life though. All that energy and time can be used to create space for genuinely supportive and inspiring people in your life and everybody deserves that.
Week 5 of 12 Secrets of Highly Creative Women
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